Category Archives: Piano

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Dear Friends,

Sadly, since mid-September I’ve been off the air on WRTI, 90. 1 FM, a part-time gig I was privileged to enjoy for precisely one decade. I thank you for your listening & reading support. This blog & its earlier version (NotesfromPhilly@wordpress) were begun to document the WRTI scripts when they were removed from the radio website in favor of podcasts only.

I’ve plans to expand the blog into a website so please stay tuned.  The hope is to use it to explore my passion for working with writers (and readers!) of all levels.

For the past two years,  I’ve been working with a few individuals as a writing coach in my home studio:  short-story, creative non-fiction, journalism, beginning poetry.  The process is reciprocally invigorating; it takes me back to my days as a piano and music appreciation teacher only now the lessons are literary.

My workshop in the very short essay: Delight! Writing the Pleasures, (based on the miniature reflections of J.B. Priestley) will be offered in January at the Muse House Center in Chestnut Hill; it is also expected at the South Philadelphia (Fuomo) Branch of the Free Library. I would love to see you here,  there or in my Alder Street Studio.

Finally,  I have embarked on Warren Wilson College’s low-residency MFA Program for Writers in Poetry. For me, a conservatory graduate, Warren Wilson is the Juilliard or Peabody of writing schools, a daunting challenge for the third act of this critic’s life.

Here’s to writing practice!

With cordial thanks, dear readers,

Lesley

Tchaikovsky’s Queen of Spades at AVA

Queen of Spades (Pique Dame) Opera by  Peter I. Tchaikovsky) Russian Opera Workshop,  Ghenady Meirson, Music Director & Pianist, Academy of Vocal Arts,  Helen Corning Warden Theater, 1925 Spruce St., Philadelphia, Performed July 24, 25, 26, 2012. Review of 7/25 for WRTI, 90.1 fm

The Russian Workshop that summers at Academy of Vocal Arts took on a big challenge this month with Tchaikovsky’s Queen of Spades. Adding to the challenges of the dificult opera, the heat was stifling in AVA’s shoebox theater. Just as well that the 13 emerging artists from all over the map weren’t in costume. So tight were they stuffed on stage for the  concert performance – with music director Ghenady Meirson  at the keyboard.  Meirson needed a better piano for the ravages of this tale. Queen of Spades, based on Pushkin,  is another love story that doesn’t end well.  Herman, who gambles, also not well, has his heart set on Liza, who’s engaged to someone else. If he can win the secrets of the cards from Lisa’s grandmother, the countess, he thinks he’ll win the girl.  Fate of course throws its hand. But not before lots of girl and guy friends put in their money’s worth. The cast of young singers in the Russian Workshop production at AVA   were nicely matched.  At the performance I heard (July 25). Herman was sung by tenor Steven Williamson of Westminster Choir College, who gave the role an increasingly obsessive ardor. Liza was Nathalie Avila, from Miami, whose power and range is immense. Michael J. Davis was an excellent Tomsky. Maude Paradis took the Countess or the Queen of Spades at this one but all the women’s roles were notable especially the governess of mezzo Raehann Bryce Davis of Manhattan, who sang the title other nights. Look for these young artists everywhere.